randian | 燃点

我们很荣幸地宣布，北京艺术家何岸在魔金石空间的第三次个展 “是永远不是” 将于2014年3月29日开幕。本次展览延续了何岸与魔金石空间的建筑对话，涉及一系列大胆的空间装置。 >> 更多

……颁奖那天，我在立陶宛和塞浦路斯联合馆狂饮，我猜正是因为这座馆不干不净、朋克风格着逗人喜爱，所以才获得了评委特别奖。
 
 
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这份粗糙和危险正是何岸作品里最重要的观念之一，因为在一个日趋规制的艺术世界里，他的作品给观者/观看带来的关于危险的体验和幻想可以让人遥想到那些前卫的最初姿态——即便是在“致敬”的意义上。 >> 更多

(English) Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> 更多

《表现形式（Manifestations）》是菲利普·帕雷诺（Philippe Parreno）在施博尔画廊的第八次个展。其包括跨越多种媒介的作品：微粒合成的背景音乐、电脑三维动画电影、大气传感器、机械系统、计算机代码、冰和水。 >> 更多

(English) Lê Lan Anh, also known as Lananh Le, one of the most vivid young artists in the Ho Chi Minh City art scene, died on April 19. She had been suffering from depression and it seems this was exacerbated by the social restrictions introduced to control the pandemic. >> 更多

(English) Will any large exhibition or art fair take place in September. Even if they do, will anyone go? Will US collectors fly to Basel? Will they risk a sudden 2-week quarantine? Even if they do, will they still feel like spending? Will they still have anything to spend even? >> 更多

(English) Don’t be taken in by the fancy terms though. Rehberger always wants you to look for the errors and the dissonances that allow us to ‘hack’ the system, to get inside. The glitches are revealing, if only you look. >> 更多

衔尾蛇——吃掉自己尾巴的神秘蛇形图案——最早见于公元前14世纪图坦卡蒙墓古老的殡葬文中。在多种文化之中，衔尾蛇的这种自噬行为象征着生与死的循环，首尾相连则可看做前现代对永恒的理解。 >> 更多

对不起，此内容只适用于English。 >> 更多